Since presenting his first Peuker8 album "Resound" five years ago, Berlin-based Paul Peuker has become recognized as one of the most original voices of a new German jazz. The young guitarist and composer thinks in concepts that are as extraordinary as they are imaginative, and he has been able to keep the same great formation together, establishing his own distinctive voice playing music that crosses the borders of jazz, classical and progressive rock. His music is not academic. It isn’t some amalgam of classical and jazz as exemplified by Gunther Schuller's Third Stream movement from the late 50’s early 60’s. Peuker's music is the antithesis of rigid or pedantic; it’s catchy, vital, multi-faceted. With agile lightness, he interweaves a jazz quintet consisting of guitar, piano, alto saxophone, bass and percussion with a classical string trio of viola, cello and violin. And the strings are not just there to add some color; they are equal partners within the music’s compositional and improvisational framework. His large contingent acts and reacts as an amazingly mobile organism.

Release

Peuker8 »Influx«

Influx
Peuker8

2018 WhyPlayJazz (WPJ040)
CD + MP3 Album Download

Track listing

  1. Love Song  7:28
  2. The Skyward Escape  5:58
  3. Grind Me Tender  6:19
  4. Anthem  4:24
  5. At Beinglas Farm  6:59
  6. Metamorfosi  10:39
  7. Fuge  8:08
  8. Mnimi  3:54
  9. Theme Music  5:25
  10. Into the Wild White Yonder  4:27

Concerts

2019

  • Oct 25, 2019 - Berlin, DE @ Aufsturz

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Audio/Photos/Videos

Reviews

A consciously balanced work, in which one can perceive a tasteful interaction of the individual sub-disciplines.

Stefano Oliva, Kathodik

The strong, individual voices of Peuker8, its work throughout the years (with only two changes in its personnel, but not in the octet instrumentation), the generous degrees of individual freedom and Peuker own personal voice as a guitarist deny Peuker’s intricate and well-structured compositions from becoming academic exercises. Still, these multifaceted compositions are complex, demanding and often cerebral, never break through into unknown territories or surrender to a burst reckless energy. The careful balance between the jazz-y rhythm section, the string trio, and the main soloists – Peuker himself, sax player Mark Weschenfelder and pianist Clemens Christian Pötzsch, takes its toll.

Eyal Hareuveni, salt peanuts*

Once again [Paul Peuker] confirms the suspicion that he is not a "normal" jazz guitarist, but a rather ingenious individualist, who composes the stylistic genres together with his octet like no other. [...] Yes, these are syntheses, and they actually and very convincingly, work as assimilation of genre parts in which the genre-typical is still preserved and recognizable. [...] That's a masterpiece. And Paul Peuker in the best way up into the Olympus of true innovators.

Alexander Schmitz, Jazz Podium (4/2018)

The record is a compelling statement of constant inspiration filled with brilliant moments and blissful improvisations as well as beautiful compositions.

Friedrich Kunzmann, allaboutjazz.com

The music immediately strikes the listener with its originality and immense intensity, which are entirely unprecedented. It is a variety of Jazz-Classical Fusion, but no other music of that category has previously reached such level of natural symbiosis as this music, which amalgamates Jazz tradition with contemporary European chamber music, expanding the idiom´s boundaries tremendously. [...] It will take a while for this music to reverberate and achieve the recognition it truly deserves, but it definitely marks a milestone in European contemporary music, including the Jazz idiom but also way beyond. The aesthetic and intellectual ingenuity, talent and effort this album offers to the listener are all extraordinary and deserve the highest praise, which will be hopefully followed by acknowledgment as well.

Adam Baruch, The Soundtrack Of My Life

There are the different timbres from which Paul Peuker can creatively select to work out the best possible sound for his compositions. [...] It pays off if you do not always play everything that is possible when arranging. The result is a transparency in which you can also discover many small details without being lost in a sonic mush. [...] Influx is a demanding CD without to submit to the claim. Peuker8 manages to be interesting for a larger audience without having to congratulate themselves.

Ingo Andruschkewitsch, musikansich.de

The instrumentation gives Peuker the opportunity to show his compositional skills and at the same time his fine feeling for improvised music. [...] Handsome compositions, musical adventure, complex rhythm, melodic ingenuity, glowing solos: Influx has it all. The music has energy, knows subdued moments and sounds playful. In addition, the fun is splashing off. A rich and varied album.

Gert Derkx, opduvel.com

The special feature of this record is the use of a string trio in the jazz context. This swallow alone does not make a summer, but there is also Paul Peuker's fabulous electric guitar work, the open-minded view of the possibilities of the instrument and, of course, his compositions, which interweave jazz and European, contemporary classical music on an equal basis with each other in an exciting and judgmental way. What may seem a bit cumbersome at first develops an inexorable pull in the course of the album, especially as composition and improvisation also have equal proportions. At the same time, "Influx" does not shrink from rocking hardiness.

Ingo Baron, drums & percussion (2/2018)

His compositions are modern, structured but leave plenty of room for real improvisation. [...] This is music for the advanced jazz lover, who does not shy away from some dissonance and likes to challenge himself.

Sjoerd van Aelst, Jazzflits #292

A very solid set of brilliant musicians who knows how to beat the pitfalls of complex and sometimes a little wobbly rhythms and highlight the colors imagined by a composer who merges into the collective as an instrumentalist.

Thierry Giard, culturejazz.fr